Hello folks, how are you? Thank you so much for choosing to listen to this latest episode of my

weekly podcast soundtracking, where I get to enthuse about two of my great passions, film and music.

In one place. In one place. It is heaven for me on a weekly basis. Thanks for all your feedback. I've had some

lovely messages about last week's episode and it's also really nice because people are still

finding us. We're just a little independent podcast and so what's nice is that we have a huge library

that you can kind of dip into as and when you want, which is lovely.

So if you want to do that at any point, the easiest place to find and search for our 350-odd episodes is by heading to Edithbowman.com.

So to this week's episode then, and our latest guest on soundtracking is the Icelandic composer

Attlee Overson who's provided the score for the brilliant Apple TV show Silo. If you haven't started

watching Silo yet then I highly recommend that you do.

There aren't really any spoilers in this episode.

So maybe if you've not checked it out yet and you listen to us chatting about it,

it might encourage you to do so.

I think it's phenomenal.

And it's led, the cast is led by the ever excellent Rebecca Ferguson.

Is there nothing this woman can't do?

Now the show's set in a kind of dystopian future in which a community exists in a silo

hundreds of stories beneath the ground,

but all is not as it may seem.

So we'll begin this episode with Atle's main title cue.

Music this episode with Atle's main title queue. The

The The The Hey, how are you, Adley? Nice to meet you.

...