Episode 37 - Bayou Bash (Part XVI: Security Breach)
Into The Night: A FNaF Podcast
Nick Black
4.9 • 637 Ratings
🗓️ 1 May 2025
⏱️ 69 minutes
🧾️ Download transcript
Summary
Gregory's final hours at the Mega Pizzaplex are here, but surviving the night at Freddy's won't be easy. To reach Roxy Raceway and dismantle the fierce Roxanne Wolf, Gregory needs access to that part of the building. With the attraction barricaded, his only option is to take parts from Montgomery Gator and upgrade Glamrock Freddy with Monty's powerful claws.
But Monty isn't going down without a fight. Can Gregory outwit the Bassist from the Bayou?
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Cast:
Narrator: Nick Black
Music:
Nintendo
Poppy's Playtime
Five Nights at Candy's
Popgoes
All other Sound Effects, Music, and Original Performances were from: Five Nights at Freddy's - Scott Cawthon/Leon Riskin Security Breach - Steelwool Studios - Megacat Studios - freesound.org - pond5.com - Pixabay
Edited by: Nick Black
Written and Produced by Nick Black
Five Nights at Freddy's and all its copyrighted works are owned by Scott Cawthon.
Monty is still a bitch.
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Transcript
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| 0:00.0 | This episode of Into the Night is brought to you by our loyal listeners and followers. |
| 0:08.6 | Fasbear Entertainment appreciates your viewership and those who support the show by commenting, sharing, and subscribing. |
| 0:15.6 | If you wish to support this broadcast, please consider checking out the official merch store and Patreon for more information. |
| 0:28.6 | This episode is a continuation of our Security Breach audiobook series. |
| 0:34.0 | If you haven't watched from the beginning, we recommend starting at episode 26, Security Breach, and listening to all episodes up to this point to know the full context of the storyline so far. |
| 0:49.7 | Welcome to Monty's Gate of Gone, Hold the Hurricane Hole in War. We're currently closed for the night. Come back soon. |
| 0:58.0 | Gregory had never met anyone who genuinely liked Montgomery Gator. |
| 1:04.0 | Always the bridesmaid, never the bride, yet he carried himself with the attitude of a Bridezilla. |
| 1:10.0 | The PizzaPlex's rebranding of the Fasbear mascots was carrying Yet he carried himself with the attitude of a Bridezilla. |
| 1:17.4 | The Pizzaplex's rebranding of the Fasbear mascots was carefully engineered to capture attention, |
| 1:22.6 | reshaping the company's image into something brighter and more animated. |
| 1:28.8 | The characters were designed to draw the eyes, and their larger-than-life personalities were crafted to enchant children of all ages. |
| 1:32.6 | While the neon-drenched punk rock aesthetic was a deliberate nod to an older audience, those |
| 1:38.6 | who might have been more familiar with these so-called rumors surrounding Fasbear Entertainment. |
| 1:45.8 | Adults who had been children when kids their age were vanishing, or worse, had every |
| 1:51.0 | reason to see through the company's revisionist history. |
| 1:54.5 | But as long as Fasbear Entertainment, convincingly presented itself as reformed, thriving |
| 2:00.3 | as hurricane's economic heartbeat, a tourist |
| 2:03.5 | hub, a pillar of community engagement. Most of them will look the other way. The rebrand |
| 2:10.6 | wasn't just a fresh coat of paint, it was a carefully crafted fiction, tailored to make the lie |
| 2:17.1 | more palatable. |
| 2:19.0 | Fortunately for Fasbears, their mascot appeal remained intact. |
... |
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