Hi, thank you so much for clicking either play or subscribe maybe to soundtracking, which is what you're listening to.

It's my weekly podcast where I talk about film, TV and music and sometimes the start of that conversation could lead us into different directions, surprising directions.

And one thing we like to do as well is kind of just look outside the box in terms of what

there is around to be talking about. And I think that that could be said about today's.

We're really inspired by projects that are a little bit different or that are trying to get art and culture out to

a mass market or a market in a slightly different way. So we've got three guests for you today

who are discussing an extraordinary journey which saw the acclaimed English National Ballet's

production of Creature transformed into a film during lockdown.

Choreographed by Akram Khan with music from Vincenzuela, Creature is inspired by Böchner's expressionist

classic Wozschik and has echoes of Frankenstein too. Now our good friend Asif Capadia has brought the original stage performance

to our screens in, I've got to say,

spectacular style, aided by Vincenzo

and editor Sylvie Landre.

And I'm so thrilled and excited

that all three of them joined me

to discuss their work on the project today.

And we'll begin with Vincenzo's Peace, Funny World, Beautiful World.

Thank you. The The The

The The

The The Thank you so much for your time. Thank you so much for your time.

This is lovely.

Look at this.

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