Hello, friends. How are you? I hope this finds you well. Edith Bowman here. Thank you very much for choosing to listen to this week's episode of soundtracking. I've also got to say a massive thank you to, well, a whole load of people for a lovely response to last week's episode for Bailey Walsh, which was just really lovely.

It was really nice that Abba Voyage tweeted out about it and really nice that you guys

connected with it as well and found a really interesting insight into the making of that

phenomenal show.

So much appreciated for everybody who got in touch with regards to that chat last week

with Bailey Walsh talking about directing the Abba Voyage show. This week then, our latest guest

on soundtracking will their partners in both personal and the creative sense whose latest

collaboration sees them bring us the utterly wild and I think fantastic and very funny, very colourful bullet train.

Husband and wife team of director David Leach and producer Kelly McCormick have a lot of fun with a great cast

to tell the story of a motley crew of rogues who all mysteriously find themselves on the same Japanese train.

I'm not going to lie, the results are bonkers, but in a very entertaining way.

As well as featuring an array of truly brilliant needle drops, bullet train is very deftly scored by Dominic Lewis.

And it's with one of Dominic's cues that will begin.

All aboard!

Thank you. Lewis and it's with one of Dominic's Q's that will begin all aboard. The The The David Kelly, welcome to soundtracking. This is where I get to talk about the relationship with music and film.

And this film is a great example of how beautiful this relationship can be.

Yes, thank you.

I have to say yesterday, I had the luxury of watching the film in a beautiful cinema on my own.

And I'm kind of glad because I made so much noise from reacting to the film.

It's such a physical experience.

It was awesome.

Where does the music start, the journey with music for your film start?

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