Hi, film fans. Welcome along to this week's episode of Soundtracking with me Edith Bowman. Thank you so much

for joining me for another episode as we dive into the world of film and music and explore and celebrate its beautiful

relationship. Thank you so much on all your comments on a couple of the past previous episodes.

We've had a, as you'd expect, tremendous amount of

response from Tyca's episode, which we really loved. But also last week's episode, which was one part,

Felix White and Barney Douglas, talking about their fantastic film, Mac and Roll. And the second part,

of course, was Carly Cracknell talking about her adaptation of Jane Austen's

persuasion. Really lovely to get your feedback on it and please feel free to get in touch with us

whatever you want to talk about. The best way of doing that is our email address which is info

at edith bowman.com. In fact, I have a couple of lovely correspondence for you right now. The first of those

comes from a gentleman who has some recommendations. Liam Martin. Thank you for your email.

Liam and Brighton. Huge, huge, huge fan of the podcast. Thanks, Liam. Just dropping a quick request

for dream interviewees., two of those in fact.

We'd love to hear chats with Christabel Tapia DeVier, Chilean Canadian composer who did the

utterly bonkers score for Channel 4's Utopia, as well as the White Lotus, humans, black mirror,

national treasure and more. And Sagan Akhenola, British Nigerian composer who scored Doctor Who the past few years.

Taking the reins after Murray Gold's 13-year run in 2018.

His final episode is this autumn, so perfect time for a chat with him.

I definitely will.

I'm going to get on to that right now, Liam, to chat to Christabel and Seaghan.

So please stay with us as we try and make that happen for you. Thank you so much as well to

Brent Billings, who just sent us a really lovely email about the podcast. He says, thank you so

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