Episode 308: Harry & Rupert Gregson-Williams On The Gilded Age

Soundtracking with Edith Bowman

Edith Bowman

Music, Tv & Film, Arts

4.6 • 786 Ratings

🗓️ 25 May 2022

⏱️ 50 minutes

🔗️ Recording | iTunes | RSS

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Summary

Our latest guests on soundtracking are not only composers, but also brothers, who between them have built up an extraordinary body of work for both film and television.

Indeed, it's on the small screen that Harry and Rupert Gregson-Williams have joined forces for only the second time, on Julian Fellowes' New York high society drama, The Gilded Age.

We'll talk about that and several of the other projects they've been involved with, including Catch-22 for George Clooney.

Transcript

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0:00.0	Hello, this is Simon Mayo.
0:01.4	And this is Mark Kermote.
0:02.6	He's the UK's best and most trusted film critic.
0:05.4	He's a best-selling writer, broadcaster and national treasure.
0:08.7	Far too kind.
0:09.6	Kermode and Mayo's take has all the reviews you need.
0:12.7	And star guests, such as Sir Ian McKellen.
0:15.7	Nice to be with you.
0:16.7	Emma Stone.
0:17.5	That sounds like something I would love to be a part of.
0:19.8	Ewan McGregor.
0:20.8	I'm Very good.
0:21.4	How are you doing?
0:21.9	Kate Planchett.
0:22.8	What was that word you used?
0:24.0	Katiwompas.
0:25.0	Kermitomeo's Take All the Film You Need, available wherever you get your podcasts.
0:29.8	Welcome to another episode of Soundtracking with me, Edith Bowman.
0:34.4	Thank you so much for choosing to join us again for another episode of our weekly
0:39.6	dive into the wonderful creative mind, or in this instance, minds of those people involved in
0:49.3	celebrating and just rejoicing in that beautiful relationship between film and music.
0:56.6	And I'm really thrilled about having, I don't know, these two together because it's, well,
	...

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