Oh, there it goes. It's working now. On the show this week, we have Bob Zombie. Mr. Bob

Zombie, director of House of the Thousand Corpses, the remake of Halloween. How do you

feel about that remake? No, why don't you do Bob Dylan Zombie? Bob Dylan Zombie?

So he's pitching House of the Thousand Corpses. What's the premise of that movie? There's a thousand

corpses in the house? Well, they stop by a roadside attraction to get gas and then they're

looking for a real thrill and then they get sent to a house full of, you know, hillbilly

crazies. Oh, is that the subject of that movie is that there's hillbillies? Yeah, Rob Zombie's

usually in the hillbillies. That is a common horror trope. I feel like the hills have eyes

was also kind of like that, right? They're in the hillbilly, yeah. What? I mean, let's just

peel back like the layers of horror here. Like what is it about the hillbilly? What is it

about the noble Scott's Irishman? That is so scary. I get so many frightened. Is it the

authenticity thing? Is that what it is? Just too real for this world. Is this too real? Yeah.

So it's like, it's all about hillbilly authenticity. Like when they roll up and they're like cracking

skulls and eating people and stuff. It's too authentic. That's just too real for some. This

goes back to what we were just sitting on about a bridge. I think the most horrifying thing

of all to Americans is that it is actually meeting the authentic. Like the thing is, this

is why this is ultimately why Americans love things inside of things. We love jelly donuts.

We love gushers, Reese's cups. We love things inside of things. We like to bite in and

juices run down our chin. Yes. Americans are so obsessed with the commodity form. It's

that we have to physically metabolize the sort of mystified shell, the mystified form

of the thing. We have to know that we're getting something else too. So we're getting the

donut, but we also have to know that we're getting the jelly inside the donut. Or we're

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