Episode 303 - Baxter Dury
Sodajerker On Songwriting
Sodajerker
4.8 • 912 Ratings
🗓️ 14 November 2025
⏱️ 55 minutes
🧾️ Download transcript
Summary
Baxter Dury chats with Sodajerker about the writing of his latest record, Allbarone, produced by Paul Epworth. This in-depth conversation delves into the duality of Baxter's artistic persona, the spontaneity of his lyric writing, and the playful approach to language that defines his work.
Transcript
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| 0:00.0 | Hello and welcome to Soda Jerker on songwriting, Episode 303. It's Simon and Brian here, and |
| 0:24.8 | joining us today is an English musician and songwriter, whose uniquely witty wordsmithery and |
| 0:29.8 | Deb Pan Delivery have earned him both a deeply devoted fan base and much critical acclaim |
| 0:34.5 | since his emergence just over two decades ago. His brand new album, Al Barone, produced by our former guest Paul Epworth and recorded |
| 0:42.0 | at the church studios in North London, is arguably his finest work to date. |
| 0:46.4 | It's certainly one of our favourite records of the year, so we're understandably excited to welcome |
| 0:50.8 | the excellent Baxter Jory to the show. |
| 0:53.2 | Our guest was born in Wingrave |
| 0:54.7 | in Buckinghamshire in 1971 into a highly creative environment. His mother, Betty Rathmell, |
| 1:00.3 | was a gifted painter and his dad, Ian Jury, then an art teacher and frontman of pub rockers |
| 1:05.2 | Kilburn and the High Roads, was just a few years away from national pop stardom as leader |
| 1:10.0 | of the blockheads. A quick side note, Baxter is the cheeky young scamp pictured with Ian |
| 1:14.6 | on the cover of his classic 1977 solo album, New Boots and Panties. |
| 1:19.6 | Following his parents' separation when he was still an infant, |
| 1:22.6 | Baxter was raised by his mum in Aylesbury. |
| 1:24.6 | Later on, the family moved to West London, |
| 1:26.6 | where a chunk of his |
| 1:27.7 | decidedly wayward adolescence was spent in the company of his eccentric father and his fearsome |
| 1:32.2 | mind at the sulfate strangler. The latter proved to be an unexpectedly influential figure in Baxter's |
| 1:37.1 | life, and features heavily in his 2021 memoir about that period, Shea's Long, which is well worth |
| 1:42.4 | your time, by the way. As a small boy, Baxter loved singers like Elvis Presley and Gene Vincent, |
| 1:47.8 | then pop bands like madness, before discovering funk, soul, jazz and hip-hop in his early teens. |
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