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Maximum Film!

Episode 297: 'Are You There God? It's Me, Margaret.' with Janet Varney

Maximum Film!

MaximumFun.org

Ify Nwadiwe, Film, News, Reviews, Comedy, Diverse, Twitter, Woke, Queer, Drea Clark, Film Reviews, Criticism, Movies, Tv & Film, Alonso Duralde

4.7932 Ratings

🗓️ 12 May 2023

⏱️ 69 minutes

🧾️ Download transcript

Summary

A lot's changed since 1970, but one thing that hasn't: being a tween is rough stuff.

Transcript

Click on a timestamp to play from that location

0:00.0

Tum's men keep saying how much they want a strong woman.

0:04.8

What they really want is a cheerleader.

0:06.7

I'd like someone who's physically very frail and won't stop talking.

0:10.7

I just want what everybody wants. I seem to have a harder time getting it.

0:17.0

Hello everyone and welcome to maximum film. It's episode

0:21.0

297 and we're gonna see how we're gonna get to heaven.

0:25.0

It's shit boy if you white away in the booth with me all my friends so let me introduce you

0:29.6

T-ams. So Alonzo's really sorry to be missing this, but we do have the Queen of the Midwestern,

0:37.0

so, SuperVessible programmer and producer Andrea Clark, what is good? Oh ife I'm so glad you're

0:45.5

seven with heaven. That's the kind of word play that I feel real comfortable in.

0:50.1

That's a good safe spot for me.

0:53.0

What is good for me?

0:55.0

It's actually, I have been wanting this to be my what's good for months and months,

0:59.0

as Iffy and Marissa know, I was in New York last fall because I was shooting a new film. That is right. We are finally

1:06.3

announcing the next film that I've produced. It's called The View of the World from Fifth

1:10.5

Avenue because this week we also announced that it will be world

1:14.8

premiering at Bentonville Film Festival which is Gina Davis's Fest that I

1:19.6

program and so it's been this kind of dream come true to have the two facets of what I do come together in one place

1:27.3

And it's a festival that's really near and dear to my heart. We support and champion a lot of female filmmakers and just

1:35.4

marginalized voices in front of and behind the camera and that is certainly

1:39.4

true of our team on this one so it really it meant an enormous amount to me that our

1:44.9

executive team kind of pushed me to be able to have our film there and then

...

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