Alright, Mary. Up next, Jan. Hi. Tonight on the runway, your face looks beautiful. Thank you. Your hair is adorable. Now, the dress itself, I think it would have looked stronger if there were no chaps and just a little bit more.

It's a little knee sock. Yes, it's a pattern. It's clash of the pattern, but it also needs to look and make sense. And this isn't really looking right.

Here's the thing with you as a performer. You are so excited to be there, but it means you always act 110%, 100% of the time.

And I think you become much more interesting as an entertainer when you have different paces, different emotions, different energies.

I know I'm high energy. I know I talk all the time. I'm very talkative. And it's frustrating because I'm trying to find that balance of when to talk, when to be high energy and when to be real.

You know, we're in Chobas, we're self centered. We're all of that. You just can't appear to be that way.

Exactly. So thank you, Jan.

Well, Mary, the assassination of season 12 continues with the assassination of Jan Sport on this runway.

This was the way that it ended, just this, I don't know how, what RuPaul thought to end the segment, but you just can't appear to be that way.

It basically laughed in her face while calling herself centered. You know what I mean? This was, this was a little bit harsh.

I think my favorite micro, I mean, there's a lot of micro moments I love, but I think my favorite is when it cuts to RuPaul.

And the way that she kind of like looks up while she goes, well, and it's like while she kind of considers what she's saying, there's this like, I roll that happens when she's doing it that is to me, it is RuPaul deciding like, OK, I'm going to let you in on a real like insider secret.

All of this like, let everybody say love and you're my, you're my girls and this is a family.

It's bullshit, mama. We're all full of ourselves and we're all acting and you have to just look like you're not acting.

RuPaul is basically saying, Jan, don't appear self-centered. I just, I don't think that's what the critique was.

Well, so, and that's the other part of it. Like, I think what RuPaul was saying was really interesting, but then when I try to bring it back to Jan, I'm like, well, I don't know if it's the Jan is self-centered.

I was reading this more as like Jan is not self-aware. And, and that's different. That's totally different.

It seems like their critique, right? Ross, I think, was had the most kid gloves with Jan. I think that the biggest kid gloves went to Pandora, which is basically this entire season.

But the Ross's kid gloves with Jan, you know, basically you need a different pace. You need a different energy. And that's when Jan kind of does this, I know when I yell, I sound like your mother.

Oh my god, how do we ask? Oh, she was having a meltdown all over my tits. It was, yeah, it was, I mean, it was, it was, it was very Lagrange, a strange, it was very, you know, I mean, all of this was very, this is how I talk when you hang out.

But, yes, but you know what? It's so different than like, I mean, it's the same edit, it's the same story, that they're trying to like put on to Jan. But I don't think this is at all at the levels of insecurity that Lagrange was putting on in season six.

No, I don't think that Jan is the Lagrange of season six of the work room. I think if anything, you know, we, we do see for, you know, some examples in the work room of like, oh, like this is you, not at a 27, like I, this is kind of what they're looking for. Like when they're, when they, when her team first gets together in her, they're starting to kind of figure out the routine.

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