Private eyes.

I'm watching you.

They see your every move.

Private eyes.

Hello everyone and welcome to the Stephen King cast, one man's musings on the works of Stephen King.

Once, I reviewed each of his works in the chronological order of publication, but

Ka is a Wheel.

It all goes round again.

And here I am once more back at the beginning on a new phase of the journey to examine each of the endings of the

works of Stephen King, to determine whether or not King deserves his reputation for having

an inability to successfully land his endings. The focus of the podcast will be to examine the

climax, the following action, and resolution of the endings to each of his novels and break it down by character themes, conflict, and plot to determine whether or not it meets the criteria of being an objectively good ending.

I'm also going to weigh in on whether or not I happen to personally like the ending.

Before we begin, I'm going to read a couple iTunes reviews that came in over the last couple days.

Up first, I have Rush Note who writes one of my favorite casts, five stars.

This is easily one of my favorite podcasts among all of the podcasts I listen to, not just Stephen Kingcasts.

The host is enthusiastic, and enthusiastic, knowledgeable, and seems like a genuinely nice guy,

even if I don't agree with his take on Storm of the Century, L.O.L.

Seeing the notification that a new episode has been released always puts a smile on my face.

One word of warning, though, his quote-unquote reviews are not reviews in the typical sense,

but include a pretty detailed synopsis.

So if you haven't read a particular book and don't want to be spoiled, avoid that episode until you've

...