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Philosophize This!

Episode #229 - Kafka and Totalitarianism (Arendt, Adorno)

Philosophize This!

Stephen West

Education, Philosophy, Society & Culture

4.816.2K Ratings

🗓️ 25 May 2025

⏱️ 31 minutes

🧾️ Download transcript

Summary

Today we talk about Kafka's book The Castle and how the symbolism is interpreted by two powerhouse philosophers: Theodore Adorno and Hannah Arendt. Hope you love it! :) Sponsors: Incogni: https://www.Incogni.com/philothis Quince: https://www.QUINCE.com/pt ZocDoc: https://www.ZocDoc.com/PHILO Thank you so much for listening! Could never do this without your help.  Website: https://www.philosophizethis.org/ Patreon: https://www.patreon.com/philosophizethis  Social: Instagram: https://www.instagram.com/philosophizethispodcast X: https://twitter.com/iamstephenwest Facebook: https://www.facebook.com/philosophizethisshow Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcript

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0:00.0

Hello, everyone. I'm Stephen West. This is Philosophize This. Patreon.com slash Philosophize This,

0:06.0

also doing some philosophical writing at Philosophize This on Substack, if you're on there. I'd like to read.

0:11.3

Hope you love the show today. So Kafka didn't just influence Camus with his work. There were several

0:16.2

other major thinkers from the 20th century that took these images from Kafka's work and then

0:20.4

changed the world with their work after having read them. A couple of the most exciting were the philosopher's

0:24.6

Theodore Adorno and Hannah Arendt. Two very different takes on the exact same work. And we'll talk

0:30.1

about both of them today and how Kafka inspired them to develop some of their biggest ideas.

0:34.5

Good place to start is probably to talk about how Adorno's take on Kafka differed from

0:39.0

Camus take that we talked about last time. And one way that Adorno says it, as he's explaining it,

0:43.6

is that Kafka is someone whose work has to be taken literally when you read them. And this can be

0:48.6

weird to hear it first. I mean, you think about Kafka's writing and you think about crazy stuff,

0:54.0

random moments coming out of nowhere, people

0:56.1

getting whipped in a closet by a dude in a meat helmet. You don't really know what's going to happen

1:00.8

next. You think of nightmare fuel at times. You know, children laughing, running around from tree

1:06.2

to tree behind you. You think of things going on in these books that can never actually happen

1:10.0

if you were in real life.

1:11.1

And if this is the kind of stuff Kafka is putting out there, then how can Adorno say anyone

1:15.4

should be taking this stuff literally?

1:17.4

Well, if Camus' interpretation is that reading Kafka makes you feel the same way as when

1:21.6

you confront the absurdity of existence head on, then Adorno's going to say that reducing Kafka

1:27.0

to just a guy that's trying to depict the

1:29.1

human condition crucially misses one of the big things that makes Kafka's work so strong in the

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