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Don't Call Me White Girl

Episode 21 : Hitman Holiday w/Hitman Holla

Don't Call Me White Girl

Breakbeat Media

Society & Culture

4.63.3K Ratings

🗓️ 1 February 2022

⏱️ 65 minutes

🧾️ Download transcript

Summary

Apparently, Damona’s numerous mentions (we’ve lost count) of Hitman Holla has led him to the show. On this episode, Hitman details the leak of his sextape that gained national attention and why it didn’t cause an uproar within his household, the tragic home invasion that led to his girlfriend Cinnamon being struck with a bullet, life growing up in St. Louis, the culture of battle rap as it stands today, marriage being more so for the woman, Darkside of the DMs, voicemails & more.

Get your real life advice from Damona on the show! Dial 267-225-2492 and leave a question for a chance to have your voicemail answered on an episode.

Filmed on Location: ContentGA

Intro Music: @TrvpLawdBeats

Executive Producers for Breakbeat: Dave Mays & Brett Jeffries

Executive Producer: Don’t Call Me White Girl

On Set Producers: Tom Flies & Dre Smith

Comment & like on the Breakbeat Media YouTube page, subscribe wherever podcasts are available, and visit us at www.breakbeatmedia.com

Transcript

Click on a timestamp to play from that location

0:00.0

Listen, this is special fucking day, okay?

0:11.8

To critically acclaim after a lot, a lot of requests from y'all.

0:16.5

You bitches, you bitches can't say I don't hold y'all down.

0:19.9

Okay, hit me in hollas.

0:21.6

I was seeing this thing like this.

0:23.3

Hit me in hollas.

0:25.1

Hit me in hollas.

0:27.1

Hit me in hollas here, me.

0:28.1

Give it up.

0:29.1

Hit me in motherfuckin' highway.

0:31.9

In a building.

0:32.9

I'm so sorry.

0:33.9

I'm cinnamon in a building too.

0:34.9

I'm cinnamon back there.

0:35.9

I'm a special fucking shot.

0:36.9

I'm a shootin' back there.

0:37.9

Make sure it's the guy.

0:38.9

Look, she back here, she got us.

0:39.9

Listen, she look like she ready for some shit.

0:42.9

Bro.

0:43.9

Thanks for having me first of all.

0:45.2

No, thanks for coming.

...

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