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Beyond the Screenplay

Episode 208: Fixing The Dark Knight Rises

Beyond the Screenplay

Michael Tucker

Tv & Film

4.8631 Ratings

🗓️ 28 April 2026

⏱️ 126 minutes

🧾️ Download transcript

Summary

The team behind Lessons from the Screenplay breaks down the narrative of The Dark Knight Rises to extract storytelling lessons and explore the kinds of tools writers can use to address various problems in their stories. In particular, we look at the design of Bane's character, the complicated nature of Bane's plan, and the struggle of balancing so many supporting characters.

NOTE: We recorded this with the intention it just be for our YouTube channel, but we ended up not referring to the visuals much in the conversation. Hopefully everything makes sense in a strictly audio form.


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Transcript

Click on a timestamp to play from that location

0:00.0

British gas have this thing. We call it home care. We'll fix all sorts and its unlimited repairs.

0:06.0

Expert engineers will solve the upset of boilers not boilering or taps that won't wet.

0:12.0

Electrics playing tricks or a pipe that's broke. We're there for everyone. Even blue furry folk.

0:19.0

Your home won't feel booby-trapped. It'll feel just like new

0:22.9

British gas taking care of things and looking after you. T's and C supply, excess options available

0:29.3

per repair. The Dark Night Rises is a great movie, but it is not perfect. So today, we want to take a look at the movie, bring up the script, look at the character

0:40.9

arcs, do some analysis, and also do some fixing.

0:45.5

How, as a writer, can you use certain tools to optimize for certain storylines or move

0:51.9

beats around, examine the tradeoffs of putting this before that,

0:56.4

putting this character forward more, bringing some characters back a little bit more.

1:00.6

These are the kind of things that we want to play around with under the umbrella idea of how can we fix the dark night.

1:08.8

Rises.

1:09.9

Rises.

1:10.9

I do this every time.

1:13.0

Very important distinction, Michael Tucker.

1:16.1

The dark night is perfect.

1:17.6

Sorry, excuse us.

1:18.4

Let's be clear.

1:19.8

Okay, so we have the dark night rises.

1:21.9

We have the whole film over here on premiere

1:24.5

that we can be scrubbing around looking at scenes.

1:27.0

We also have our mirror board where we can be putting plot beats and sticky notes.

...

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