0:00.0	Hey everyone, before we dive into the episode, I just want to give you a quick reminder that
0:03.6	supporters of the Beyond the Screenplay Patreon get access to patron exclusive Q&A episodes and
0:09.1	mini episodes. For instance, we're going to record an episode on Once Upon a Time in Hollywood,
0:15.1	which I think is going to be an interesting, cathartic episode. So if you'd like to hear the
0:19.6	episode and other exclusive content,
0:21.7	head to our Patreon. The link is in the show notes. And now on to the show.
0:29.3	Hi, I'm Michael, and this is Beyond the Screenplay. Today we are talking about Inglorious
0:34.9	Bastards, and I'm joined by the lessons from the screenplay team, writer Trisha Arand.
0:39.4	Hello, everyone.
0:40.5	Writer Brian Bittner.
0:41.7	Hello, hello.
0:42.5	And editor Alex Cayeros.
0:44.3	Hi.
0:45.2	So Inglorious bastards, we're going to talk about it, and we're probably going to have to talk about a lot of Tarantino, just because you can't talk about one Tarantino without talking about all the
0:54.7	Tarantinos.
0:57.6	The Tarantini.
0:59.7	The plural of it.
1:01.2	But the glorious bastards video was interesting because it's kind of, yeah, the most
1:04.9	like scientific video that I think I've done and looking at.
1:08.6	I remember wanting to like in my, my aspiration to create
1:14.0	the grand unified theory of storytelling and screenwriting, I remember thinking like, I need to
1:19.7	understand emotion.
	...

Please login to see the full transcript.

Previous episode | Next episode

Disclaimer: The podcast and artwork embedded on this page are from Michael Tucker, and are the property of its owner and not affiliated with or endorsed by Tapesearch.

Generated transcripts are the property of Michael Tucker and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.