Episode 150: Addition
Lore
Aaron Mahnke
4.6 β’ 46.9K Ratings
ποΈ 31 August 2020
β±οΈ 35 minutes
ποΈ Recording | iTunes | RSS
π§ΎοΈ Download transcript
Summary
History can be easy to brush aside or paint over, giving us the illusion of control. But just because we can't see the past doesn't mean it's not there, active and powerful, working behind the scenes to remind us of our tragedy and pain.
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Transcript
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| 0:00.0 | They had discovered something unexpected. |
| 0:17.8 | Conservators working on a painting by Pablo Picasso back in 1992 noticed odd patterns in |
| 0:22.6 | the artist's brush strokes, lines that didn't seem to match the overall composition of the |
| 0:27.6 | piece. |
| 0:28.6 | So they decided to take a deeper look. |
| 0:31.9 | On closer inspection, these conservators noticed that tiny cracks in the surface paint |
| 0:36.1 | revealed more paint beneath, paint of entirely different colors. |
| 0:40.8 | And today, they know why. |
| 0:42.8 | Thanks to advances in X-ray technology, researchers have been able to peer beneath the top layer |
| 0:48.0 | to see what lies under it. |
| 0:49.9 | Picasso, it seems, painted his famous work the crouching beggar over an older landscape. |
| 0:56.9 | Then it's not the only one. |
| 0:58.7 | It's a technique called over painting, and usually happened when an artist didn't care |
| 1:02.5 | for the previous work or had a better idea. |
| 1:05.8 | For Picasso, it might have been a financial decision. |
| 1:08.8 | The crouching beggar was a product of his early blue period, a time when money was tight |
| 1:13.1 | and new canvases were hard to buy. |
| 1:15.6 | So he took a landscape he'd already painted and built a brand new composition on top of |
| 1:20.2 | it. |
| 1:22.4 | And that's life, isn't it? |
| 1:24.7 | There's the part everyone sees, and then there are the parts beneath it all. |
| 1:28.6 | Things can be beautiful and entertaining and valuable, and yet hide something older beneath |
... |
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