Well, now let me just explain one thing. He's a ax. He's not Romans and Romans. He's not ax. A

got big love is not what gets from. Oh. Oh. Now, uh, Saint Augustine in the city on

heel. So, oh, now David Hume. What do you want to talk about today? Uh, well, he sent me

an email with, with some ideas. And I, I was all for those ideas, but I've forgotten.

I think I sent you, I think I sent you a text message, a, a, a, a, a, a thing via

a Gmail, which always thinks that I'm there. And then it confuses you because you think

I'm there. And I'm actually not. Well, you're, you're always marked as available in my

buddy list. Yeah. I don't tell my wife that even at, even at, you know, six, five in the

morning, Eastern time, you're available all the time. I can't control this thing. It's

like a weathervane. I just got to hope the wind stops. You know what I'm saying? That

rooster got a crow. I'm with you. I think we could do every episode about fear as far as

I'm concerned. Yeah. I think some, I mean, do you, when I was a kid, it's not fashionable

to like Norman Rockwell, but when I was a kid, we had this really, really cool like coffee

tablebook of Norman Rockwell paintings. I think the guy's an amazing illustrator. It's

easy to like take him to task for being this like silly, sentimental guy, but the guy technically

is, is flawless. He did a wonderful series based on them. Um, I think it was FDR talked

about the four. What does he already call it? The four, you know, like basically the fears,

like there's the fear of hungry, the fear of, you know, I almost did we could do a series

like his paintings. We could do a series on the different fears. I mean, even though

in my head, they're kind of all related. I'm with you. What are, what are the different

fears? Let's see. Uh, there's the ontological fear, the teleological fear. There's the

um, uh, fear from design. I think I'm making a day card joke. And now I may hate myself

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