Episode 130: Kirsten Lane
Spinning Plates with Sophie Ellis-Bextor
Kat Rulach
4.8 • 527 Ratings
🗓️ 3 June 2024
⏱️ 69 minutes
🧾️ Download transcript
Summary
Kirsten Lane is a freelance music supervisor who negotiates the deals that make it possible to put music into films, TV and adverts. She was the music supervisor for Saltburn and so that is how we met. She is now part of Murder on the Dancefloor’s journey and helped make its inclusion in the film’s soundtrack possible, naked dance and all!
We talked about the importance of music in changing the atmosphere, and she sees it almost as another character on screen.
Kirsten told me how she had made her career work, alongside bringing up two children, often as a single parent. Sometimes she had to fit her freelance work into the little pockets of 20 minutes that you have when your children are babies, and then late into the night when they were asleep.
We realised we have shared the same experience over the past months when Murder has become unexpectedly popular again - both Kirsten’s teenage children and mine have been momentarily impressed by their mothers, when they’ve heard Murder being played on Tik Tok and by their friends. What a wild ride!
Spinning Plates is presented by Sophie Ellis-Bextor, produced by Claire Jones and post-production by Richard Jones.
Hosted on Acast. See acast.com/privacy for more information.
Transcript
Click on a timestamp to play from that location
| 0:00.0 | Hello, I'm Sophia Lusbexter and welcome to Spinning Plates, the podcast where I speak to busy working women who also happen to be mothers about how they make it work. |
| 0:14.1 | I'm a singer and I've released seven albums in between having my five sons aged 16 months to 16 years, so I spin a few plates myself. Being a |
| 0:22.6 | mother can be the most amazing thing. It can also be hard to find time for yourself and your own |
| 0:27.2 | ambitions. I want to be a bit nosy and see how other people balance everything. Welcome to spinning plates. |
| 0:36.1 | Hello, greetings from San Diego. I've just got here. We landed, what time is it now? |
| 0:43.3 | About an hour ago, come straight to the venue. It's really nice. It looks lovely. We have started the American tour. So as promised, here I am speaking to you from America. |
| 0:55.0 | I know I sound a little bit quirky, but I'm so much better than I was, so don't worry. |
| 1:00.0 | And yeah, morale is very good. |
| 1:03.0 | I'm so proud and impressed by my band and my crew |
| 1:08.0 | because we landed in San Francisco the day before yesterday |
| 1:13.7 | and we did our first gig last night, which means we had no real opportunity to acclimatize. |
| 1:20.1 | So we went on stage at the equivalent of half-five in the morning UK time. |
| 1:23.7 | But obviously having been up since like, you know, 5 a.m. local, so anyway, basically |
| 1:30.5 | the long and short of those were absolutely deranged. But I got on stage and the energy I got |
| 1:39.1 | from the crowd was so good that it really buoyed me up. And it made made me really happy and I had a really good time. |
| 1:47.0 | I probably seemed even more sort of bonkers, eccentric, British woman than usual. |
| 1:56.0 | It's a role I inhabit quite regularly anyway, but I think I was giving some, oh, sorry, I nearly got my phone. |
| 2:01.6 | I think I was giving some very odd energy because I was just all over the place with my, myself. |
| 2:08.6 | But, yeah, I felt really good. I enjoyed myself. It was a good gig. Life is good. |
| 2:16.6 | And yeah, so gig two today. Here we are. I'm just planning what to do, really. We're not here very long. We're only here, really, for an afternoon and a night. And obviously, doing a show. And then we leave tomorrow morning to drive to L.A. where we've got a festival, but we're on quite early. So we have to leave here. I don't know. I think we're leaving about 10 or something. But, sorry, that probably sounded horrible. I just drop something. I'm unpacking my stuff, you see, as I speak to you. I don't know if you're impressed with this kind of thing, but I've travelled hand luggage only for this trip. I know. So I've got, like, for my costumes on stage, I have, I always do a costume change. |
| 2:58.2 | So I've got the opportunity to change, I've got like four, four options for the first look, four |
| 3:06.8 | options for the second look, and then |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from Kat Rulach, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of Kat Rulach and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2026.

