4.8 • 688 Ratings
🗓️ 16 March 2022
⏱️ 76 minutes
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0:00.0 | Spectrevision Radio |
0:03.3 | Welcome to Weird Studies, an arts and philosophy podcast with hosts Phil Ford and J.F. Martel. |
0:23.3 | For more episodes or to support the podcast, go to weird studies. This is Phil. |
0:53.8 | This week, we're each picking a short story and discussing |
0:57.1 | our picks together in much the same ways we did with her song picks in episodes 79 and 80. Only this |
1:04.3 | time we are joined by Meredith Michael, who you may know as our production assistant, or attendant |
1:10.0 | to the mysteries, as she is known on the |
1:11.9 | Weird Studies Discord. I know Meredith as a doctoral candidate in musicology who works with me at the |
1:18.1 | Indiana University Jacob School of Music. Meredith is a brilliant young scholar who is writing a PhD |
1:24.3 | dissertation that develops an intriguing idea about music and outer space. |
1:29.3 | Now, social theorists from Max Weber onwards have told us that in our modern and disenchanted |
1:36.3 | age, the Enlightenment Dream of Reason has chased myth from the universe and transformed and |
1:41.3 | unsulled cosmos into mostly empty space. But in her research, Meredith |
1:47.2 | finds that at just such a historical moment, we find composers, among other artists, looking to outer |
1:54.0 | space and finding it teeming with new myths. One of these days, we're going to do a show on that. |
2:02.6 | But today, though, we decided to talk about stories. Meredith chose Ursula Leguins' She Unnames Them. J.F. chose J.G. Ballard's |
2:09.7 | Jakonda of the Twilight Noon. And I chose Stanislav Lam's The New Cosmogany. We didn't have |
2:17.1 | time to do the last one, so we're saving that for our |
2:19.7 | next episode. But for this episode, we're talking about the other two, and playing our usual |
2:25.4 | glass bead game of finding the resonances between them. I'm not going to summarize the plot of |
2:31.2 | these stories here as we do that in the episode that follows. But I will say |
2:35.6 | that what emerges in our conversation is an apprehension of those extraordinary states of experience |
... |
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