4.8 • 7.2K Ratings
🗓️ 4 October 2017
⏱️ 10 minutes
🧾️ Download transcript
The Memory Palace is a proud member of Radiotopia, from PRX, a curated network of extraordinary, story-driven shows.
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0:00.0 | This is the memory palace. |
0:02.8 | I'm Nate DeMoeu. |
0:04.6 | Brief eulogy for a commercial radio station upon hearing that 95.5 WBRU FM and Providence |
0:11.2 | for Dalland would cease operation. |
0:15.9 | We could get into the economics about how media consolidation unleashed by the Telecommunications |
0:20.9 | Act of 1996 that has continued unabated and largely unchallenged in the years since. |
0:26.9 | As yielded a business environment in which a decreasing number of national and international |
0:30.9 | conglomerates, own an increasing number of local radio stations, broadcasting licenses, |
0:36.4 | and concomitant physical infrastructure. |
0:39.0 | And how as they sought efficiencies in ways to extract profit and increase shareholder value, |
0:43.9 | these companies typically cut local staff and often program and operate their portfolio |
0:48.4 | stations centrally and in effect broadcast from server farms half a continent away. |
0:53.8 | It was little to no concern about regional variations in taste or musical traditions or |
0:58.7 | collective memory. |
1:00.4 | We could get into the economics. |
1:02.8 | And we could get into musicology and or music history and discuss how it came to be that |
1:06.8 | an idiosyncratic and poorly defined radio format that combined musical styles popular primarily |
1:12.2 | among white college age Americans could in the early 1990s, gain a larger audience and |
1:18.6 | cultural relevance on the heels of the success of the bandirvana. |
1:22.4 | And how this and similar stations enjoyed commercial prosperity for several years, until |
1:27.2 | demographic, technological, and other changes altered tastes and swung cultural attention |
1:32.1 | away from what had come to be known as alternative music and from rock and roll based forms in |
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