Episode 04 Using Guitar CAGED Chord Forms to Play Arpeggios and Chord Inversions
Guitar Music Theory
Desi Serna
4.6 • 931 Ratings
🗓️ 13 December 2017
⏱️ 43 minutes
🧾️ Download transcript
Summary
This free lesson focuses on how guitar players use the CAGED system to play various chord shapes, chord voicings, chord inversions, and arpeggio patterns. Taught by Desi Serna of http://GuitarMusicTheory.com.
Transcript
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| 0:00.0 | You're going to. Oh, Welcome to the guitar music theory |
| 0:29.0 | podcast. I'm Desi Cerna, author of Frontboard Theory, Guitar Theory for Dummies, and more. |
| 0:37.0 | This podcast features free guitar lessons that focus on music theory for guitar, including guitar scales, chords, |
| 0:44.2 | progressions, modes, composition techniques, |
| 0:47.3 | improvisation, and more. |
| 0:49.6 | The lessons are geared toward intermediate level players on up. |
| 0:53.0 | You can follow along on either an acoustic or electric guitar. |
| 0:57.0 | Bass players can take away a lot from the lessons too. Today's podcast episode is a previous recording in which I explain how the so-called caged |
| 1:12.3 | cord system is used to play |
| 1:14.3 | arpeggio patterns and cordon versions on the frontboard. You also hear how the |
| 1:18.8 | caged-cord system is used in familiar songs. This lesson is based on my book Frontmore Theory, Chapter 3. You're going to learn all about the guitar |
| 1:55.6 | cord caged system. With the caged system, you take common open forms and change them into bar chords which you can move around the |
| 2:06.3 | guitar neck. Also you'll break these forms into arpeggio patterns, chord voicings, chord inversions, and different chord |
| 2:18.2 | shapes and chord fingerings. fingerings. You know, of all the different types of chords you can play on the guitar fret board |
| 2:35.2 | did you know that they can all be traced to one of five different forms either C C, A, G, E, or D. You probably already learned these chords in the open |
| 2:47.7 | position, but I bet you didn't realize that you can convert all of these chords into bar chords and move them around the |
| 2:55.1 | neck. Also, each one of these chords can be played as an arpeggio pattern and these |
| 3:01.7 | arpeggio patterns can be broken up to create all kinds of unique |
| 3:07.2 | fingering and shapes, chord inversions, and chord voicings. Most people that are trying to learn how to play new |
| 3:17.8 | chords or trying to learn how to play fancier rhythm parts think that they need to learn |
| 3:22.4 | really, really complex chords, but actually |
| 3:24.6 | they just need to learn variations on common chords. |
... |
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