Ep391: Kid Congo Powers - The Cramps, The Gun Club & more
The Vinyl Guide - Artist Interviews for Record Collectors and Music Nerds
Nate Goyer
4.7 • 579 Ratings
🗓️ 1 May 2023
⏱️ 57 minutes
🧾️ Download transcript
Summary
Kid Congo Powers (The Cramps, The Gun Club, Nic Cave & the Badseeds) talks about his record collection, as well as the many stories of his life as outlined in his new book "Some New Kind of Kick".
Topics include:
- Joining the Gun Club, flying to Australia with 24 hours notice
- Writing his book "Some New Kind of Kick"
- His preferred state in writing songs
- Nick Cave liked to keep people on edge
- Growing up with his sister's records
- Records and radio in Los Angeles
- Memories of Dr Demento
- Early record purchases
- The first song he absolutely loved
- He didn't think of himself as a musician
- Taking the Ramones record shopping
- Forming The Gun Club
- Early memories of seeing The Cramps
- His memories of living with The Screamers
- Keith Morris gave The Gun Club their band name
- Alternate names for The Gun Club
- Kid Congo writes "Fire of Love" then joins The Cramps
- "Would you cut your finger off to join The Cramps?"
- Preparation and rehearsal for "Psychedelic Jungle"
- IRS Records had big plans for The Cramps
- Kid Congo felt very welcome in The Cramps
- Memories of Lux and Ivy's record collection
- Kid Congo loves 45rpm records
- Where does Kid Congo Powers go record shopping?
- What's the most he's ever paid for a single record?
- What are the most collectible records of the Kid Congo universe?
- The Gun Club reissues are pulled from the original masters
- Kid Congo & The Pink Monkey Birds – Five Greasy Pieces
- How did The Cramps react to bootleggers?
- Memories with Tex Perkins
- Interview wrap up
Order the book "Some New Kind of Kick"
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If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related
Transcript
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| 0:00.0 | Hello, this is Kid Congo Powers, and you are listening to The Vinyl Guide. |
| 0:05.5 | This episode is brought to you by Groove Washer, the best record cleaners and protective |
| 0:09.5 | sleeves for your vinyl collection. Ask for the groove washer from your local shop or go |
| 0:13.6 | to groove washer.com. Discount code, vinyl guide 10. And now, on with the show. |
| 0:21.9 | Oh, well, hey, everyone, it's Nate. Thank you so much for joining us here. Episode 3.91 of the |
| 0:27.7 | Vinyl Guide, the podcast for record collectors and music nerds, and I'm returning from a week |
| 0:32.5 | off this show. It's been quite a crazy month between multiple episodes each week leading up the record store day, |
| 0:39.7 | and I lost my job. |
| 0:42.1 | That's right. |
| 0:43.0 | I got laid off of my day gig. |
| 0:44.9 | So, yeah, lots is happening for me personally. |
| 0:48.2 | And so I can tell you now, it's a great time for people to consider joining us being a show sponsor at patreon.com slash |
| 0:55.5 | vinyl guide. I can really use the support now more than ever. |
| 0:59.1 | Five bucks or ten bucks or whatever you could spare each month is hugely appreciated while I |
| 1:03.4 | once again hit the streets and try to find a new gig while balancing the podcast and all the |
| 1:09.1 | requirements of that. I want to keep this podcast going, so please, |
| 1:12.4 | if you're not a Patreon.com slash Vinyl Guide supporter, please consider it now. In fact, we've got |
| 1:18.2 | an extended version of this interview with Kid Congo Powers already up there. That's patreon.com |
| 1:23.4 | slash vinyl guide. And thank you so much in advance for your support. |
| 1:34.2 | Now, this week, it's Kid Congo Powers talking all about his life around records, as a member of the cramps, Nick Cave in the Bad Seeds, as well as a founding member of the gun club, |
| 1:39.7 | and author of the new book, Some New Kind of Kick. Kid Congo regales us with tales of music history, |
| 1:46.7 | working with Lux and Ivy of the Cramps, what their record collection was like, |
... |
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