4.8 • 1K Ratings
🗓️ 26 June 2023
⏱️ 17 minutes
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Writers can find value and nuance by digging deeper into the functionality of these four terms in answering: "What does your character want?"
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0:00.0 | This is K.M. Wyland and you are listening to the 631st episode of the Helping Writers Become Authors Podcast. |
0:16.2 | I hope you enjoyed this week's episode. |
0:18.8 | What does your character want? |
0:20.9 | Desire versus Plot Goal versus moral intention versus need. We often hear that conflict is |
0:31.2 | story. What does that mean? If we walk it back we see that conflict is |
0:36.7 | driven by opposition. That opposition stands between the characters and |
0:41.7 | something they want. |
0:43.9 | Therefore, we could just as easily say desire is story. |
0:47.8 | But that isn't always simple to figure out either, particularly since story terminology includes many seemingly applicable terms, including the |
0:56.4 | characters want, desire, plot goal, and even moral intention. |
1:01.1 | Now in this podcast and in my books on writing I often talk about the thing |
1:06.8 | the character wants and the thing the character needs as driving factors in character arc and thus plot structure. But |
1:15.5 | desire and plot goal are also frequently used terms. So what's the difference? |
1:30.0 | Last week's episode touched on the important nuances in terms used to describe your character's pain points, your character's ghost versus wound versus lie versus weakness. This week I want to stay in that lane and explore some terms used to describe what the character wants. |
1:43.0 | Now once again let me note that there's often much variation and subtlety in how these terms are employed. |
1:49.0 | For instance, some people may use the word desire to encompass all of the terms that we'll be talking about today. |
1:57.0 | This points to the importance of not relying too much on specific terms and instead learning to understand the underlying principles so you can |
2:06.5 | quickly translate them into your own preferred verbiage. |
2:10.8 | Today I am sharing how I use these terms. |
2:15.0 | First, let's just briefly touch on the generalities of what want is within a story. |
2:21.0 | All variations of a character's desire will function as driving |
2:26.3 | forces of both that character's personality and the plot. Some desires may be low-key and used only to dramatize. the conflict on the scene level, but the want goal, desire, etc. creates the backbone of your story. |
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