Hello and welcome to the Antifada where unrest is best. I'm Jamie Peck. I'm Sean K. B. I'm AP Handy. And we are here with

Chad Figuress, also known as Pretty Bad Lefty on Twitter, host of the Discourse,

which is an excellent podcast.

Hello, thank you for having me on.

I don't get to do a lot of podcasts.

Except your own, which is a wonderful podcast that I listen to a lot of in preparation for this show and everybody else out there should subscribe and listen as well.

Yeah, you should all joke in your side and you could you all listen to things I have to say.

Yes, always, especially now because this is going to get

really real this time. We're going to be talking about all sorts of interesting

stuff, but I think to start things out, Jamie had a sociological question for you.

Yeah, so you recently did some sociological research on the sociology website,

Twitter.com, and you did a a I'll call it a survey so quote you asked I've

recently been enjoying white staple bands I've never listened to before

tell me a white band and I'll tell you if it's actually good or if you've just been poisoned by your socialization, family, and white media."

So what did you find most surprising about white music? Which white artists speak to you and why?

Okay, so I'll be, I'll give a little bit of my background first, right? so I grew up in Brooklyn in the 90s.

My mother was a pretty big rap fan,

Jay-Z, Biggie Smalls, and so that kind of defined

my musical taste up into the point when I went to college, right?

When I started branching out a little bit more.

But then by time I was in college, I mostly only listened to music you can work out to.

So again, that was mostly like rap music,

...