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Helping Writers Become Authors

Ep. 524: The Midpoint as the Swivel Point of Your Story's Linked Structure

Helping Writers Become Authors

K.M. Weiland

Arts

4.81K Ratings

🗓️ 26 October 2020

⏱️ 19 minutes

🧾️ Download transcript

Summary

How can you keep your pacing tight and the story interesting over the long haul of the Second Act? The simplest answer: Mind the Midpoint.

Transcript

Click on a timestamp to play from that location

0:17.0

This is K.M. Wyland and you are listening to the 524th episode of the Helping Writers Become Authors Podcast. So if you were wondering why there was no podcast last week,

0:21.0

it's because last week was launch week for my new book

0:24.8

writing your stories theme. So if you missed the original announcement and you're

0:29.8

interested in the book you can check that out now either on my site at helping writers become

0:35.4

authors.com or of course on Amazon and other sales sites I have talked about the book quite a bit

0:40.9

this year and I'm super psyched to finally have it out.

0:44.5

This is the first non-fiction book I've published in several years so I'm excited to have a new one out

0:50.1

and especially because theme is such a passionate topic for me,

0:53.6

something I love thinking about and writing about.

0:57.2

And as I'm sure you know if you've listened to more than a few of my podcasts,

1:01.4

it's something I'm a huge believer in when it comes to better, more

1:05.8

entertaining, and more powerful stories.

1:09.8

So in short, I'm very excited to be able to announce that writing your stories theme is now out and about in the world.

1:17.0

And now I hope you enjoyed this week's episode,

1:21.0

the midpoint as the swivel point in your stories linked structure.

1:27.1

The quote unquote saggy middle of a story is one of the biggest challenges writers face. The second act is twice as

1:36.1

long as the other two acts and yet is often less clearly defined. So what's a

1:42.3

writer to do to keep the pacing just as

1:44.8

tight and the events just as interesting over the long haul of the second act? The

1:51.4

simplest answer is mind the midpoint. Writing instruction is often

1:58.3

more prolific for the first act and the third act since their functions and responsibilities are more clearly

2:05.5

defined. The first act must hook readers and set up the conflict. The third act must ramp up into a satisfying climax that concludes the

...

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