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The Filmcast

Ep. 506 - How to Train Your Dragon: The Hidden World (GUEST: Tasha Robinson from The Verge)

The Filmcast

The Filmcast

Tv & Film, Entertainment News, News

4.73.9K Ratings

🗓️ 26 February 2019

⏱️ 122 minutes

🧾️ Download transcript

Summary

David, Devindra, and Jeff are joined by Tasha Robinson, film and TV editor for the Verge and co-host of The Next Picture Show podcast, to dish on the good, the bad, and the green at the 2019 Oscars. The cast discuss the Netflix film High Flying Bird and then move on to an in-depth review of the third installment in the How to Train Your Dragon franchise.


Read LA Times film critic Justin Chang's take on how Green Book is one of the worst Oscar wins and the Shadow and Act's article on why Dr. Shirley's family opposed the release of the film. Also read Mark Harris's illustration of the core audience of Green Book and Sean Fennessy's analysis on what this means for an Academy that's desperate to reinvent itself.


To understand how films like How to Train Your Dragon dismiss strong female characters, read Tasha Robinson's theory on "Trinity Syndrome."


You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Also, follow us on Twitter or like us on Facebook.



Shownotes (All timestamps are approximate only)


What We've Been Watching (~07:50)

Tasha: Isn’t It Romantic

Devindra - High Flying Bird

David - Train to Busan

Jeff - Finished Escape at Dannemora


Oscars Discussion (~29:00)


Feature (~1:17:00)

How to Train Your Dragon 3


Spoiler (~1:43:45)



Credits:

  • Our music sometimes comes from the work of Adam Warrock. You can download our theme song here. Our Slashfilmcourt music comes from Simonmharris.com. Our spoiler bumper comes from filmmaker Kyle Hillinger. This episode was edited by Beidi Z.
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Transcript

Click on a timestamp to play from that location

0:00.0

Hello everyone and welcome to the Slash Filmcast. I'm David Chenin with me R.

0:24.0

David R. Hardware. Jeff Canada. And joining us today she's the film and television editor at the

0:30.1

Verge.com. She's also the co-host of one of my favorite film podcasts, the next picture show.

0:36.9

Tasha Robinson, welcome back to the Slash Filmcast. Tasha, how are you doing today?

0:41.6

I'm doing fine. It's been so long that there are actually cobwebs on my microphone.

0:48.1

I haven't cleared off since, you know, because this is my special Slash Filmcast,

0:52.0

microphone. I don't use for anybody else. As we all have one, yes, that's correct.

0:56.5

With a red phone rings, it's a mic. Yeah, but the spiders have gotten me into my red phone. It's

1:03.8

actually a little disturbing, I feel it. It's kind of a kind of haunted house ambiance now.

1:08.0

We could have stopped sending people spiders with their microphones. We do. Indeed. That's a mistake

1:13.4

in retrospect. Agreed. Agreed. When I opened the box, I thought it was just a piece of spider

1:17.9

verse swag. So I was fine with it. Well, we are so pleased to have you on. Tasha Robinson is one

1:25.2

of my favorite film critics working today. It's an honor to have her be here. What an episode

1:32.1

to have her on, because we have so much to talk about tonight. It's kind of insane.

1:36.3

We got some follow-ups from last week. Last few weeks, actually. We got a very brief

1:41.2

what we've been watching, because we got to get to the main event today, which is our discussion

1:44.9

of the Oscars, which is something we've all been watching. And then follow that up with an

1:49.5

in-depth review of how to train your dragon, the hidden world. The third and final question mark

1:55.3

film in the how to train your dragon series. We shall see. So that's what we got on tap for you

2:00.3

on the slideshow in case if we have time, we'll do an after-arc as well. Should be a lot of fun.

2:04.6

So let's get to it. In terms of follow-up, we got a couple items we want to follow up on.

2:10.3

I do want to say that in general, we recorded the last few episodes in a row. Like we

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