This is K.M. Loyland and you are listening to the 498 episode of the Helping Writers Become Authors

Podcast. A couple weeks ago in the episode about all the professional resources

I use in my work as a writer, I mentioned Pod Tone, the company with which I've been consulting

for the last six months or so to improve sound quality on the podcast.

Several of you emailed them about their services, so I'm happy to announce that starting this week,

Podtone is also partnering with me to sponsor the podcast via their services.

Podtone is a post-production service offering podcasters affordable mixing and editing.

In addition to mixing the sound

better in many ways,

including answering my tech questions about my hardware and software

and advising on the best sound equipment for my situation.

In fact, I hope you'll notice even more improvement in the sound soon as I upgrade to a new

mic as recommended by the Potton guys.

If you have a podcast of your own and this service sounds like it would be as helpful

to you as it has been to me, you can check it out at podtone.com. And now I hope you enjoyed this week's podcast five questions about how to

balance multiple POVs in your story. The opportunities and pitfalls offered by multiple POBs are both the joy and the

bane of the writer's life. On the one hand, using multiple points of view to tell a story, seems like it makes the job so much easier.

No limits. Fantastic.

But on the other hand, once you start trying to juggle multiple POWs, it can seem like all these moving pieces only

make things that much more difficult.

One of the most common questions I receive on the subject is simply how many POVs should a story have?

To which the answer is that there really aren't any rules.

...