4.8 • 1K Ratings
🗓️ 17 February 2020
⏱️ 17 minutes
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Learn how to be critical of stories in a way that turns the potential for negativity into a positive force that drives your own creativity.
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0:00.0 | This is K.M. Wyland and you are listening to the 494th episode of the Helping Writers Become Authors podcast. |
0:17.3 | Recently someone introduced me to the wonderful YouTube channel Like Stories of Old, which in their words explores the boundary between film |
0:26.3 | analysis and life lessons because just like the stories of old, they contain valuable lessons |
0:32.4 | and insights. |
0:34.0 | It was unexpectedly fun to see my book creating character arcs quoted in one of the videos |
0:39.3 | about the flat arc of the protagonist in Haxhaw Ridge. If you're unfamiliar with the channel I highly |
0:45.1 | recommend it not just for its insights but also because I feel it does a great |
0:49.7 | job highlighting the great psychological and spiritual power creators have the potential to wield. |
0:57.0 | In watching many of the videos lately, I've been deeply inspired and reinvigorated in my passion for the great responsibility of what we do as |
1:06.1 | storytellers. |
1:07.3 | So check it out. |
1:08.1 | This is absolutely not an advertisement, just my personal recommendation. But again, if you you're interested the channel is called |
1:14.9 | like stories of old and now I hope you enjoyed this week's podcast thoughts on |
1:21.8 | how to be critical of stories in a way that makes a |
1:24.9 | difference. Some stories make me so mad. It's not just that these stories are all technically bad in some way. Indeed, there are plenty of deeply bad stories that I pass on by with hardly a second thought. |
1:40.0 | There are even plenty of, quote-unquote, bad stories I find amusing or even some |
1:45.4 | I adamantly like for any number of personal reasons. But then there are the memorable few that |
1:51.1 | stick in my craw. In those instances I go from being able to offer a |
1:56.3 | thoughtful, logical, unemotional critique of why the story didn't work objectively or |
2:02.1 | perhaps why it didn't work for me subjectively to looking frantically |
2:06.9 | for my flamethrower and machete. I've been pondering this phenomenon for a few months ever since experiencing yet another movie that |
2:16.5 | submarine yet another of my favorite franchises. |
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