You're listening to the Doug Stanhope podcast.

Hey, we're here. I don't know if you can hear us. We're at old school on the micro cassette

recorder. We've chailed, forgot the cable, one cable, one job. We're sitting in a, I can

weigh word, Tucson motel waiting to go to Phoenix, waiting to go to Chicago, waiting to

go back to Phoenix to do some gigs. And I've just returned from Boston and Foxwoods in

Mashin Tucket, Connecticut. Boston was the theater. Warner? Wilber, Wilber theater.

Mashin Tucket, they taught us how to pronounce that. It's like what a crossdresser does. Yes.

Mashin Tucket. Yeah, it's transvestite still a word for a crossdresser. So what did,

well, if someone had just crossed dresses and they're not transgendered whatsoever, what

do you, what do you call them? He's just a performer. Yeah, I'm saying a lot of crossdressers

aren't transgendered whatsoever. So I don't know. It's like dressing up as the other

section that's performed. When we were, there was a transvestite and trans, there was two

words back in the, that's what we're getting the transsexual and trans. That's someone

post and that's three. Yeah, transvestite was the one that liked to dress up by far.

Transsexual is someone who actually got the surgery. So there's an in between. I don't

know probably Rocky Orr picture. So is transvestite? Well, wouldn't Jesus be a crossdresser?

Wouldn't that be cultural appropriations for someone who was nailed to a cross? You can't

say crossdresser, dress like Jesus. Boston was fucking phenomenal. Boston, I kept confusing

with San Francisco because a similar in that the bar was just, you know, right past the

venue and I was having a good time. I would seem last call more times in the last two

weeks than in fucking five years before that. Well, you have to because you can't do like

you do at home where you'd get up at three in the morning and come out and we're still

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