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Hey, how you doing listeners? Adam Buckston here. Welcome to podcast number 38, part two of a

conversation with Brian Eno. Just a little bit of context for some of the things that I talk about

with Brian in this part. This conversation just a reminder was recorded at Brian Eno's

West London studio earlier this year, February 2017, when I was still wrestling with a bit of a

cough cold. And it was very shortly after Brian had released an album called Reflection, one of his

long ambient pieces, a single track, 54 minutes in length, in the tradition of his album Thursday

afternoon from 1985. I think I'm right in saying that that was the first time he'd tried that

long single track format was on that album Thursday afternoon. Very nice it is too.

And we talk a little bit about the business of putting something like that together.

And how it works is a creative endeavor. We also talk about one of my favourite albums that Eno

worked on with Talking Heads, Frontman, David Byrne, My Life and the Bush of Ghosts from 1981,

which is one of those albums you either know or you don't really. I don't think any of those

tracks were ever sort of big hits or used in movies. I may be wrong about that. Oh no, I'll tell

you a film that used one of those tracks was Wall Street. And which one did they use?

...