Ep. 297 | The Craft Of Creating An IP Based Action Film w/ Jeremy Slater
The Screenwriting Life with Meg LeFauve and Lorien McKenna
Meg LeFauve & Lorien McKenna
4.9 • 1.1K Ratings
🗓️ 7 May 2026
⏱️ 57 minutes
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| 0:00.0 | Hey everyone, welcome back to TSL. This is Joe Forte. Today we have a really fun action-filled |
| 0:05.4 | conversation with writer-producer, Jeremy Slater. Jeremy is known for his work on films such as the |
| 0:11.8 | 2015 Fantastic Four, Death Note, and Godzilla versus Kong, the new empire. For the small screen, |
| 0:19.9 | he created the umbrella academy, the Exorcist |
| 0:22.6 | series, and he was the head writer and executive producer for the Disney Plus miniseries, Moon Night. |
| 0:29.2 | Jeremy's latest film Mortal Kombat 2, which he wrote and produced, based on the ever-popular |
| 0:35.5 | video game series and previous film is out in theaters everywhere. |
| 0:40.8 | Jeremy, welcome to the show. |
| 0:43.4 | Thank you for having me. |
| 0:44.8 | We're happy to have you here. |
| 0:46.5 | So the first thing I want to talk about with you is what's really unique about you is that you're a writer and producer. |
| 0:53.4 | And I find that fascinating. And, you know, when you're a writer and producer. And I find that fascinating. And, you know, |
| 0:57.1 | when you're a writer and producer, you wear two hats. Can you talk about wearing those two hats? |
| 1:05.3 | And we're going to get into a whole bunch of other stuff about where you're from and why you like the |
| 1:10.4 | genre and how you got involved. But I'm just really stuff about where you're from and why you like the genre and how you |
| 1:11.3 | got involved. But I'm just really curious about, you know, wearing two hats and when you have |
| 1:17.9 | to take one off, which one do you take off? Yeah, I think a lot of it came from probably being |
| 1:25.0 | thrust into a co-show runner position on The Exorcist when I did that show |
| 1:29.3 | for Fox about 10 years ago at this point. Before that, I was pretty much exclusively just a |
| 1:36.2 | screenwriter, which meant I had very little set experience. It was like, you know, most of the |
| 1:41.7 | things I had filmed, it's like, okay, come visit for a day and sit in Video Village for a couple hours, take a picture with the actors. And then, you know, most of the things I had film is like, okay, come visit for a day and sit |
| 1:45.0 | in Video Village for a couple hours, take a picture with the actors, and then get the hell |
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