Get ready to take a flamethrower to the official narrative and learn what the

elites don't want you to know. You're listening to the Tom Woods show. Show. Hey everybody, Tom Woods here, it's episode 2,555 of the Tom Woods show, and I'm very glad to have with me once again

Clifton Duncan whose story you have heard me tell numerous times whom I saw on Broadway back in probably, I'd like to say 2018, a couple of times

with my family before I ever realized I'd get to know him in real life.

He had the most elite acting training you could ask for.

I'd had a successful career, but of course COVID came along and they demanded the shots.

And he said, don't want want him don't need him and that

meant a lot of difficulties for Clifton but he's an extremely important voice

he's a great podcaster he's working on a project of the utmost importance and I'm really happy to be able to

welcome him back.

So Clifton, welcome back.

Tom, it's great to see you again at 2555 and I'm, it's the third time that I'm on so it's pretty amazing.

Yeah I think that makes you more than a tenth of a percent of all the guests that I've had so I'm

really glad to be able to talk to you and also it has been kind of a long time and I do want to catch up with you a little bit

I told my audience about your project and I sent it to my email newsletter that you in fact you know what I'm going to let you talk about it

tell them what the project is and then where things stand interesting things you've dug up whatever

yeah well sure I guess I'll do with it Stan, interesting things you've dug up, whatever. Yeah, well, sure.

I guess I'll do with the spiel.

Back in 1977, a wonderful actor named James Earl Jones

did a play called Robeson about the actor and activist Paul Robeson, which I learned also was performed by Avery Brooks,

who people might know from shows like, I want to say, Hunting Hawk and Star Trek Deep Space Nine.

Or maybe it was Voyager, I forget which one.

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