At the Grammys on Sunday, a great crime against humanity occurred with the entire world watching.

Adele won the top Grammy, leaving Beyonce, the greatest human being who has ever graced our planet

out in the cold again. Why? Why, God? Why? Racism! Never mind that Adele's 25 was the top-selling

album of the year, while Beyonce's lemonade showed up at number four, Adele's 25 was the top-selling album of the year,

while Beyonce's Lemonade showed up at number four.

Adele had to apologize to Beyonce for winning the album of the year,

and then she split her Grammy in half and said, quote,

I can't possibly accept this award.

The Lemonade album was just so monumental.

Yes, lemonade is groundbreaking.

Beethoven-esque, a work of heartbreaking genius,

with which only heaven or heaven's angel could have seen fit to grace us.

Who else but Queen B could have given us these immortal lines?

Y'all haters corny with that illuminati mess.

Paparazzi, catch my fly and my cocky fresh.

The echoes of Shakespeare ring in every romantic lyric. So, why wouldn't

artists of color naturally assume that Adele's victory at the Grammys represents a new form of Jim Crow?

Here's the New York Times, quote, before the 59th annual Grammy Awards on Sunday, the music industry

murmured about what it might mean for Adel to once again sweep the top awards, leaving

Beyonce snubbed in the major categories and with her third loss for album of the year, having

long-faced accusations that the Grammys overlook young, progressive black artists. The last

woman to win album of the year was Lauren Hill in 1999. The Recording Academy faced a potential

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