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Already, folks, got a lot coming up on today's show. We'll get into the cultural impact of the

Met Gala. New Yorker magazine features some of your favorite Democrats in their living rooms. Plus, President Trump's war on Harvard University continues. First, our friend and colleague Andrew Claven has a brand new bookout. It is a must read. It's called The Kingdom of Cain, Finding God in the Literature of Darkness. Only Andrew could take Kane and Abel, Dostoevsky, and Hitchcock, and pull out a powerful case for faith in a fallen world.

It's sharp and it's moving.

It's exactly what you would expect from a best-selling novelist and one of the oldest human beings, I mean, wisest people, at the Daily Wire. The book is out right now. Get your copy today at store.dailywire.com. We begin today with the Metgala. So I know you don't think the MetGala is all that important.

I don't either, but it is very important to the cultural glitterati, the people who make culture.

So the theme of this year's MetGala is super fine, tailoring black style.

And clearly, when this thing was originally thought about, people thought Kamala Harris was going to be president of the United States. That is the reason why they did it this way. Last October is when they announced this. And it was designed as a celebration party for the nation's second black

president, Kamala Harris, and then she lost. And so now we are in this weird nether region

in which the left continues to whine that Kamala Harris should have won

the election, even though she lost pretty clearly and evidently. And the rest of the world

wonders why people are dressed up in bizarre outfits paying homage to something or other. According

to the New York Times, last October, when the Metropolitan Museum of Arts Costume Institute announced its next

fashion so super fine, tailoring black style, the political landscape looked very different. Kamala Harris,

the first female vice president and first black woman ever to top a major party ticket, was in the

final weeks of her campaign for the White House. The show, the culmination of five years of work by

Andrew Bolton, the Costume Institute's curator in charge to diversify

...