What if you just, as like part of your career, just decided all of a sudden you're like,

yeah, I've been making beats my whole life with computers.

As of today forward, I make them with my mouth.

And you just became a really terrible beatbox.

Who?

Do you think you could beatbox well because you have a history with production and drums?

No.

Like if you could master the sounds, could you like, could you get the patterns down pretty

quickly, you think?

Well, yeah, but I don't think that's the hard part.

I think the, like, physicality of it is the, is the much more difficult part.

You mean, like, shaping your mouth to make the sound properly?

Yeah, and making, like, sounds, you know, simultaneously.

And because it's like, it's, it's similar to singing in that, like like your tone is entirely your body.

You know, it's not like your body connected to an instrument.

It's just fucking your mouth got to do all that.

Your armature is you. Yes. No, I think I i think i'd be terrible but that's fine because honestly

like what the fuck is the point of beatboxing got him like five sad listeners just went

war no it's one of those things where it's like, it's the coolest

fucking thing in the world

for about three minutes.

And then it,

...