Welcome back.

I'm West Chatham.

This is my good buddy, Ty Frank.

And we are coming at you live.

We'll do it live.

Do it live.

Do it live.

Ty, can you tell what we're going to talk about today?

When you hear this, does this make you feel in medieval Italy, the 13th century Italy?

I think what we're about to talk about today is the biggest divide ever in history between the quality of a movie and the quality of its soundtrack.

One of my favorite movies growing up with one of the worst soundtracks I've ever heard,

the classic Lady Hawk, which had

a story taking place in like Dark Ages Europe and had a soundtrack that belonged in like

disco or something. Like what the fuck was up with that soundtrack yeah i mean the alan parsons

band too like experiment they were doing some like interesting stuff at the time but this is just

not the interesting stuff that they were doing and so uh dick donner was uh when he was scouting this

movie um he kept listening to the Alan Parsons project.

And he said, I couldn't get out of my head.

And it infused with the movie and it was kind of kinetic movie.

And it's like, well, then put the shit that you were listening to in the movie.

Don't put this shit.

Because somebody else wrote it.

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