4.8 • 4.5K Ratings
🗓️ 7 October 2020
⏱️ 63 minutes
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0:30.0 | And they were late coming back. One of the guys got scared off first night. He heard |
0:51.7 | this stuff and he said, I, he just left an old one. I tell it out of the next day. And |
0:57.2 | you can't leave it now. It's just too wilderness and you don't even try. He came out and |
1:03.6 | he was, he was the wise who worried because at that time we don't know what to do with it. |
1:09.4 | It's going to eat you or if they're arguing about the salt and pepper they're going to put |
1:12.8 | on you. What's happening? You know, they're going to carry away the sleeping bag. We don't |
1:16.7 | know. We don't know. We don't know. We don't know. |
1:21.0 | Hey, welcome to Blurry Creatures. Before we start this episode, I want you to listen to this. |
1:30.7 | Our guests today recorded these in 1971 and this will be the sort of the basis of this |
1:37.1 | whole episode of these recordings. These recorded in a camp and the Sierra Namedis in 1971. |
1:43.5 | They've been scientifically studied. They're not fakes. See what you think. |
3:21.0 | Luke, we got, we got the guy who has the best Bigfoot audio. There is, that is known in this |
3:32.1 | cryptid space. His name's Ron Moorehead. He's a researcher, author, producer. And he's been on |
3:36.9 | several documentaries. He's been on the BBC, he's been on the learning channel. I'm excited |
3:41.0 | about this guest because he connects a lot of the things we're talking about today. But he has |
3:45.1 | this, he has the audio called the Sierra sounds. And if you're in the Bigfoot space, you've heard |
3:49.2 | that before. If you're not, these are some sounds that some guys recorded in the 70s that |
3:54.3 | talk. It's in our intro to our show. And who knew that we were going to get this guy on the show? |
4:00.6 | It's just kind of funny that this whole thing is connecting. It seems like every week someone |
4:06.3 | comes on and continues the story that the last guy left off on. And that's really weird because |
4:11.3 | you and I aren't really, we're not trying to tell an narrative really. It's just kind of, |
4:16.4 | now it's just really, I mean, you're right. Has played out fantastically. And I really like, |
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