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Overdue

Ep 065 - The Marriage Plot, by Jeffrey Eugenides

Overdue

Headgum

Craig Getting, Arts, Books, Podcasts, Literature, Comedy, Andrew Cunningham

4.62.3K Ratings

🗓️ 17 June 2014

⏱️ 61 minutes

🧾️ Download transcript

Summary

More than a year after reading Middlesex for Episode 12, this week we return to Jeffrey Eugenides' oeuvre to check out 2011's The Marriage Plot.

It's a more focused, less-sprawling book than Middlesex, but as in his previous book Eugenides spends a lot of time here talking about growing up with a difficult condition. Intentional or not, there's also some subtle sexism here that we try to walk ourselves through—it's complicated by both authorial intent and the time the book is set (the early 1980s), but it's still a talk worth having in light of recent events.

See omnystudio.com/listener for privacy information.

Transcript

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0:00.0

While Andrew and Craig believe the joy of discovery is crucial to enjoying any well-told tale,

0:05.1

they will not shy away from spoiling specific story beats when necessary.

0:10.4

Plus, these are books you should have read by now.

0:30.7

I

0:36.7

don't watch lost. I missed the zeitgeist. I guess you were missing out.

0:44.0

Maybe I could follow the arc of the show by listening to people talk about it.

0:48.4

I first I was missing something really cool and then I was missing something really

0:53.2

exasperating and then it ended dumbly and I felt I felt exonerated.

1:02.0

I guess so. I think lost falls into that Roman TV shows that if it lost you for a split second,

1:08.4

you decided that it was terrible and the worst thing. Like Battlestar. That happened to you too.

1:17.5

The battle star got really dumb. Like the thing both those shows have in common is that they

1:23.0

heaped mystery upon mystery and gave you the impression that the writers had a grand plan and

1:29.6

then when it became obvious that they didn't it like broke your trust and you didn't want to

1:35.6

watch it anymore. Like once you became aware that they were not telling a story but in fact,

1:40.4

you know, making it up as they went on the fly without any regard as to where they were going.

1:47.9

Then you stopped being interested. I guess that might be a fault of

1:54.4

television making though, right? Especially television of that era. Like I think

2:01.2

lost in Battlestar kind of ushered in a bunch of shows that like to use endless mystery building

2:09.6

as their like primary conceit and I don't know if people got tired of it or

2:14.6

what, but I think that now people prefer something like Breaking Bad or even if it

2:24.2

even if the writers are still kind of making it up as they go, which I think that that writing team

2:30.0

was. Like they still had an arc in mind. They still had like a clear beginning and end and they did

...

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