Emma Kirkby on Henry Purcell
Great Lives
BBC
4.2 • 1.3K Ratings
🗓️ 6 May 2014
⏱️ 25 minutes
🧾️ Download transcript
Summary
Soprano Emma Kirkby discusses the life of English composer Henry Purcell with Matthew Parris.
Despite dying at the age of 36, Purcell was arguably the first composer to become a national figure, as shown by his funeral at Westminster Abbey. Living through turbulent times, and through the reign of three monarchs, Purcell had to cope with shifting Catholic and Protestant regimes while producing a steady output of religious music. But he also did some of his most memorable and enduring work for the commercial theatre. Few composers have set the English language to music so felicitously.
After his death, Britain produced few world class composers for 200 years. To discuss his legacy, Emma and Matthew are joined by Purcell scholar Michael Burden
Producer: Jolyon Jenkins
First broadcast on BBC Radio 4 in 2014.
Transcript
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| 0:40.3 | Great Lives is a download from Radio 4. We hope you enjoy what you're about to hear. |
| 0:45.0 | On this week's Great Lives, we're listening to a man whose music, |
| 0:49.0 | spare, simple, acid-sharp, often passionate but never lush, calls across three centuries to our own age. |
| 0:58.2 | This, for instance, is now played at the Senetath on Remembrance Day. Dido's Lament, Remember Me. Oh, It's over 300 years old, a completely English sound, a crystal clear call direct from the age of the restoration and no one has given it more life today than my guest the singer Dame Emma Kirkby |
| 1:39.4 | Emma introduce Henry Purcell to us. |
| 1:45.0 | They called him Harry, and they also called him Orpheus Britannicus. |
| 1:48.2 | They thought he was such a splendid mediator between Earth and Heaven with his music, which is what Orpheus did, that they gave him that title. |
| 1:57.0 | And do you mind our first clip of his music being a military band of what was really written for the voice? |
| 2:04.0 | Well I just rather pleased because I heard it when I watched the Celitaph |
| 2:09.0 | service at some point or heard it on the radio and was stunned to realize that I knew that |
| 2:13.4 | piece and I was just delighted that it had been borrowed for such important |
| 2:18.2 | occasions and most people hear it and are moved by it without knowing who wrote it and so that's a kind of |
| 2:24.1 | secret that we musicians rather like to enjoy. You've very emphatically not |
... |
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