4.6 • 729 Ratings
🗓️ 29 August 2019
⏱️ 5 minutes
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0:00.0 | Welcome back to the Daily Poem here in the Close Reeds Podcast Network. I'm David Kern. |
0:09.0 | Today's poem is by Emily Dickinson, American poet who lived from 1830 to 1886, certainly one of the most famous American poets. |
0:16.9 | Sadly, as you might know, Dickinson, while a prolific poet was not known during her |
0:23.1 | lifetime particularly, I think even some of her friends were not aware the degree to which |
0:28.3 | she wrote and the degree to which she was so talented. |
0:31.9 | The poem that I'm going to read today is called As Imperceptibly as Grief, bar as its title |
0:37.4 | from the first line. |
0:38.9 | This is how it goes. |
0:42.4 | As imperceptibly as grief the summer lapsed away, |
0:48.7 | too imperceptible at last to seem like perfidy, |
0:53.9 | a quietness distilled as twilight long begun, or nature spending |
0:59.0 | with herself sequestered afternoon. The dusk drew earlier in, the morning foreign shone, a courteous, |
1:07.0 | yet harrowing grace as guessed who would be gone. And thus without a wing or service of a keel, |
1:13.9 | our summer made her light escape into the beautiful. |
1:22.3 | So this is obviously kind of an elegiac poem |
1:25.4 | for the passing of summer, I suppose, |
1:28.6 | the fading away of it. |
1:39.6 | One of the things that I love that Dickinson does is the way she kind of, particularly at the end of a poem, as in this poem, she kind of has a way of subverting your expectations. |
1:45.4 | I don't know if subverting is the right word. Doing the unexpected or kind of, well, here I'll explain. |
1:50.9 | So throughout this poem, you kind of anticipate that the next word is going to rhyme. |
1:54.3 | These are four four line stanzas here, quatrain. |
1:58.1 | So you sort of expect that you're going to get a rhyme. In the third stanza, for example, you get, the dusk drew earlier |
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