Emily Blunt on looking for the struggle in her characters
The Treatment
KCRW
4.6 • 656 Ratings
🗓️ 27 December 2025
⏱️ 23 minutes
🧾️ Download transcript
Summary
This week on The Treatment, Elvis talks with Golden Globe nominee Emily Blunt. She recently got a nod for her supporting role as Dawn Staples opposite Dwayne Johnson in The Smashing Machine. Blunt talks about her joy working with Johnson on the film, the challenges of playing a real person, and the impact of working through her childhood stutter.
Transcript
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| 0:00.0 | From KCRW Santa Monica and KCRW.com, it's The Treatment. |
| 0:13.8 | It's The Treatment. |
| 0:14.9 | Welcome to the show, I'm Elvis Mitchell. |
| 0:16.7 | I first saw my guest ride into a movie on a white horse wearing a pair of red cowboy boots. |
| 0:22.6 | That's right. |
| 0:23.6 | In the film, My Summer of Love, which she said, yeah, I guess I'm kind of a bad influence. |
| 0:28.6 | Since then, we've seen Emily Blunt play a supernatural nanny, be a very, very, very quiet, expectant mother, |
| 0:36.6 | try to hold their own against a really imperious sort of vogue head. And she's now working again with her old friend, Dwayne Johnson, the film, The Smashing Machine. First of all, it's a pleasure to have you here. Thank you. Thank you for having me. I'm very honored. I thought about that performance in my summer of love and watching Smashing Machine. |
| 0:55.0 | Really? |
| 0:56.0 | Just because there's a kind of a bored cunning that both of these women have, because there's |
| 1:02.0 | a kind of a lack of sort of self-awareness and self-development, they feel it their most, |
| 1:06.0 | when other people were reacting to them. |
| 1:08.0 | Yeah. |
| 1:09.0 | And just, again, that entrance on that horse. I mean, you have to |
| 1:11.4 | tell me about that. Is that your first film? It was my first film. I was 20. And I think it really |
| 1:18.8 | informed so much going forward. It was the great Pavel Pavlovsky directed it and he did |
| 1:24.3 | Eda and all these wonderful films. But he works in such a spontaneous way and everything was improvised, which was terrifying. |
| 1:32.3 | Including that last thing you have with Patty Concent? |
| 1:35.3 | Yes. |
| 1:36.3 | Oh my gosh. |
| 1:37.3 | Everything. |
| 1:38.3 | And even my audition for it was a completely improvisational thing where he wanted me to look out the window and pretend |
... |
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