Editing Agatha Christie
Shedunnit
Caroline Crampton
4.9 • 1.4K Ratings
🗓️ 12 July 2023
⏱️ 27 minutes
🔗️ Recording | iTunes | RSS
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| 0:30.0 | Time passes and the world changes. We hope that it largely changes for the better, although |
| 0:39.9 | the evidence for that might not yet satisfy the best detectives. Still, it is to be expected |
| 0:46.7 | that the language and beliefs that were commonplace and unremarkable 100 years ago are approached |
| 0:52.1 | differently now. For anyone who publishes or reads books from an earlier era then, this poses a |
| 0:59.1 | challenge. Do we accept these texts as they are, as artefacts of a previous time, even if they |
| 1:06.8 | contain ideas and words we would never condone in something published today? Or do we treat them |
| 1:13.5 | as malleable properties, capable of shifting and changing with the times to meet the ideals of |
| 1:19.4 | a new era and beyond? Golden age detectives fiction certainly isn't immune from this dilemma. |
| 1:26.8 | These are books that many people read for pleasure, for comfort even. |
| 1:31.3 | It's an emotive question too, both because of the feelings that the presence of prejudice and |
| 1:36.4 | beloved mysteries arouses, and because for some, the idea of changing the work that an admired |
| 1:42.7 | author had deemed complete is disagreeable. Which is why today we're going to talk about it all, |
| 1:50.4 | starting with the most revered author of them all, Agatha Christie. |
| 1:56.8 | Welcome to She Done It. I'm Caroline Grampton. A quick reminder before we get into it today, |
| 2:10.2 | I'm doing a special free live episode of the podcast on the 15th of July at 7pm UK time, |
| 2:17.1 | in which I, together with my guest Teresa Peschel, will be talking about the film adaptations of |
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