That's what these colors are at the bottom too, man. I wanted to pay homage to you guys, man, and all the people that made this shoot, what it was, the commercial. It was just like, I wanted to tell all these different stories, so like everyone that could relate could see themselves in this in some way or whatever. I feel like, oh man, I remember what that feel like, that feeling and whatnot. The bottom of the shoe so dope. I barely didn't want to wear them outside.

Like, it was just like, man.

Yeah, yeah, yeah.

We're out here in Shott, Town, Chicago, Illinois, my hometown.

You already know it.

Yeah, yeah, yeah, Black and Live.

Live on location at Infinite Archives and Air Jordan, 2002 store.

Yes, sir.

I got the blackest one from East St. Louis in the building.

We got the man of the hour, the man who curated this whole thing, the creator of the

new Jordan 17.

We got Easy from Infinite Archives in the building.

Well-known, Shot Town, Shot Town, Shot.

We're about to get it all into it.

We're about to get into his story, our story, and the story of the shoes.

All up in here.

Don't worry about y'all hear them L-Train. We're in the West Loop. Y'all know Shy City. We got them L-Train. My daddy drove him 39 years. Shout out Libo. We're in the building, man. Black, you feeling good? I'm feeling great.

You ain't got your braids like 2002.

I ain't got my waves neither.

I wish I had her still.

Easy.

The only one is fortunate enough to still have his hair up in here, man. But listen, we in Shot Town, you know what I'm saying, D Mouse, me St. Louis, but this is a Shot Town thing over here. Me and Easy. We've Shatown born and bred. My man is bringing something very special and dear to the sneaker culture.

...