From the Ringer Podcast Network, this is Dissect, long-form musical analysis broken into short digestible episodes.

Today we continue our multi-episode deep dive into Daft Punk's final album, Random Access Memories.

I'm your host, Cole Kushner.

Last time on Dissect, we began our exploration of random access memories,

Daft Punk's love letter to music and the humans who made it. The opening track Give Life Back to Music established the album's thesis,

a call to restore humanity and life to music in an increasingly technological world.

The album's second track, the music of your life Can't fly back to music.

The album's second track, The Game of Love, introduced one of the album's central characters,

a robot voice yearning for humanity,

expressing heartbreak over the fact that it cannot experience emotions fully.

There is a game of love. There is a game of love.

Next, track 3, Giorgio by Maroder, expanded the album's scope into music history,

using Giorgio Moroder's life story to honor the innovators who push music forward,

while at the same time dissolving the

boundaries between genres into one shared human impulse to create.

My name is Giovanni Giorgio, but everybody calls me Giorgio.

At the end of Giorgio by Maroder, we actually hear the fusion of music and humanity

coalesce into a single entity. As the synthesizer rings out the song's final note, it morphs

into a steady thumping pulse, evoking both a heartbeat and the beat of music, a single rhythm connecting human life and the expression of human life through sound.

The Now the tempo of this pulse that ends the track is 110 beats per minute, which just so happens to be the same tempo as Random Access Memories next track, Within.

Within starts with a beautiful solo piano composition written and performed by renowned pianist

and composer Chili Gonzalez. And according to Gonzales, Dapunt gave him specific instructions

...