So we're a week out at this point from Curtin's eye and the scene's not working.

And just to remind you, it's the Geffen.

We're doing proof.

And this is before people knew proof.

It's before Gwyneth and Jake sort of solidified what we think of as it.

We were still finding it.

And we've got this big scene where we're doing all this math.

And it was myself and Mary Louise and we're Parker.

And we're going over it.

We're going over it.

It's not working.

It's not working.

And my mentor, dear friend, director, Charles Nelson Riley, leans in and says, Sean,

what if you're holding a pen in this scene?

Now I stop.

Why?

And he says, well, you'll be happy because you'll have something to do with your hand.

And the pen will be happy because it finally gets to be in a play.

So how did that evolve into the eventual scene where they're eating salsa?

Yeah.

So obviously he go to Gaia.

Is that what it was?

...