What's up everybody and welcome to flagrant to I told y'all

I never speak on Kanye's name again. You don't speak on Kanye's name. You don't speak on Kanye's name. You never did. Our costumes always true.

I love the truth.

Thank you. Happy New Year.

I'm gonna talk to a rocky start, bro. Yes. What is it? How do you say it? Who gives a fuck?

I was just more. What's up? Mark was a haters. He was bumping CLB the whole fucking week.

I'm gonna talk to him. He's like, oh, us girls love the girls. I'm gonna let him. I'm gonna let him. I'm gonna let him.

I'm not gonna do it. Put some respect on Kanye's. Let's put some respect. This is a podcast that respects greatness.

You're genius. He's a genius. We were in the green room trying to convince Mark. This motherfucker would not take it. How many songs we have to play?

We almost went through the whole album. Who was DJing even? Who was it on board?

Who? What is it? What is it called? Jesus King. Yeah, got it. Bro. Yeah, got me back this week. Yeah, let's go. Talk about it.

It really comes down to the fact that I have until this week in no respect for the production of music. That's really what it comes down to.

It's awful. It's awful by how much he doesn't know about Kanye. Yeah, yeah. I thought it was a fucking cast-y electric piano and you just hop on there.

And then you have beats. I've seen Scott Storch make the beat live. And I'm like, oh, this isn't a skill. This is the easiest thing I've ever seen.

And then we started playing Kanye. Who's that? Who's that? Who's that? Who's probably I was that? Definitely not Mark. We started playing Kanye. Next to CLB, we do one for one.

And the production is not even close. It's not even close, dude. I'm telling you, if you listen on AirPods to Kanye, the first time, you're probably like, eh, but if you listen in a car with the shit turned up or here on a loudspeaker, then it hits you differently.

I said, stadium music. This is stadium music. It is. And then we started listening to it and comparing it to like other songs.

We're doing a Kanye song versus another song from just another time, right? Another time period. Like we were playing like, yeah, we played slick Rick or something. Yeah, we threw it back.

We were throwing back. We were going like, maybe biggie shit. And like, again, we're just talking about the production. We're going to get to the bars in a second. We're just talking about the production.

Obviously music is evolved, right? But it is just so transparent that he is doing something different. And now I start to understand him talking about how long I'm a genius. I'm the next Steve Jobs, et cetera. I guess musically speaking. Yeah.

He was doing that. I didn't notice the difference because I'm not, you know, playing them back to back. Yeah. Right? I'm just going. And for me, I'm more drawn to bars. Yes.

As someone who's literally for a living uses bars and we know Kanye as a rapper. That's how we started. We came up with Kanye as a rapper. He did his own beats. Yeah. But you called him a rapper before he called him a producer. I knew him.

...