Hey Music Lover, it's time for Somme Tom Bona jamming to some yot rock

Gone old school with some beep up open for fun bingo 90 if you like your tunes more vibies,

playing can be exciting till you feel the need for dancing.

Here we go!

I'm for a drum and bass!

Oh, just 110 pounds pounds Tom Bola open for fun

terms apply 18 plus please play safely. Okay ready. Take what you know, and it's by the time when you get yourself and we are, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, I want to know some things to see

I think about baby one and get me.

I'll think about everyone you need

I'll all the things are good brown now. Maybe want you to need it, I'm going to be here.

I'm here, seeing you wanting you, hey.

Good sort of race, oh, okay, though. Good sort of race show, okay okay though. The term ratio, okay though.

That might be the best question I've ever been asked. The New Yorker said that your play treats black experience as a subject to elicit pleasure and

joy rather than pain. And I think in all art quite often the black experience even from black pen is about hey

let's mind the trauma let's deal with the pain but you in this piece really lead

toward the joy of Black Cross? I as an actor and also now

a writer have seen so many things in the theater specifically that have to go

through a certain gaze to get space.

And so sometimes that gaze likes to allow things through

that put us in a more traumatized state.

And so my commitment is to write towards the healing to

make sure it's really appealing to us and I was just at the theater before I

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