4.6 • 675 Ratings
🗓️ 1 November 2018
⏱️ 50 minutes
🧾️ Download transcript
Kurt Andersen talks with Morgan Neville about his documentary that focuses on an Orson Welles film that was completed long after Welles died. Maria Schneider’s album “The Thompson Fields” took a circuitous path, and she discusses it both as it’s being conceived and a year later, when it’s in the can. Neuroscientist Heather Berlin tells Kurt how the creative brain gets revved up — and how the brain helps to focus and complete projects. And how the band School of Seven Bells finished an album when a key member tragically wasn’t there to finish it with them.
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0:00.0 | From PRX |
0:04.0 | This is Studio 360. I'm Kurt Aniston, and I'm sitting on the steps of the Lincoln Memorial. |
0:13.0 | This is Thomas Jefferson's vegetable garden. |
0:16.0 | I like to have the roasted chicken piece. |
0:18.0 | Very well done. |
0:19.0 | Editing is all about timing. |
0:20.0 | I try to get a little bit away from the actual subject. |
0:23.0 | You must get sick of your own voice, right? |
0:25.4 | Studio 360. |
0:27.5 | With Kurt Anderson. |
0:31.3 | This hour, we're going to talk all about unfinished business in the arts. |
0:36.6 | But first, let's raise a glass. In my family, we think the wine you drink the most should in the arts. But first, let's raise a glass. |
0:38.6 | In my family, we think the wine you drink the most should be the best. |
0:42.1 | We like poor my son's burgundy. |
0:44.9 | Toward the end of his life, Orson Wells was better known for making commercials, |
0:49.0 | like that one for California wine, than making movies. |
0:53.2 | His filmmaking life had begun brilliantly with Citizen Kane, |
0:57.3 | which he wrote and directed at age 25. |
1:00.2 | But then his career founded. |
1:03.0 | He decamped to Europe, and by the 1970s and 80s, |
1:05.8 | lots of people considered wells somewhere between self-indulgent and self-parody. |
1:11.6 | We will sell no wine before it's time. |
... |
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