You know what I think is the difference there? Because I've seen that a lot too.

The ones that don't that work hard and don't ever get there, they seem to have a couple

of things working against them. One, they won't study people that are really successful.

You know, so there's one and they're not, and they also seem to be a little close-minded when

you give them advice. That's true.

But the ones that are sponges that are open-minded and like, just tell me what to do, and I'll do it.

And then they're also looking and they're actively looking on Instagram and good art.

And then there's the person who you ask them who their heroes are and they show you really bad artists.

And you're like, that's the problem right there too.

So it's like you're there's maybe there's maybe it's the aesthetic.

Maybe it's the aesthetic that they're born with or not born with that they have or don't have.

Because I mean, if you like things that no one likes, that's ugly, you're going to make ugly.

You know what I mean?

Yeah.

I think there's a couple factors, too.

It's style, but it's also voice.

And you may technically not be a great illustrator, but looking at your illustrations, you can see,

oh, this person's trying to say something interesting, something engaging, something,

you know, smart, smart or something like that.

Disturbing.

And that can go, that can, that can take it a hundred miles further

than just the art.

...