Hey Adam.

Yeah.

What's up, bro? Where you call me, bro? Well, because we got bro in the title. I was a little leery of using that term. I just wanted to try it out and see if it still works. Cool, bro. All right, bro. All right, bro. Thank you. I'm Adam Manus.

And I'm Peter Martin.

And you're listening to You'll hear it, bro.

A podcast about listening and playing music better, bro.

Now we switch from bro to bra.

Well, that's because we were in New Orleans all week. And bro is not used, but bruh is. Did you discover that while we were there? Oh, yeah. I don't remember much about that trip, but yes. Yeah, brough. That's how we say it there. So, yeah, so what's happening today? Today's episode is sponsored by Open Studio. Go to Open StudioJadiojazz.com. Hey, check out our all-access pass. If you're a pianist or a multi-instrumentalist, it has every course we've ever made from people like Peter Martin, Jeffrey Keiser. And then people who aren't pianists like Christian McBride, Diane Reeves, Gregory Hutchinson. Yes. Like me, I play a little guitar as well as piano. So I've learned a ton from Homerilobambo and Peter Sprague on their awesome guitar courses. And I know that we have a lot of people who are maybe primarily a pianist or primarily a drummer and they play a little piano. Yes. The all access pass could be what you need. Yeah, and I think a lot of folks don't realize because we didn't use to include these kind of courses, but now we have truly beginner, secondary instrument types of courses, even from the masters like Romero LaBumbo with the Bosphanova jumpstart guitar. I'll tell you what, that is an awesome course. I was showing my dad over Christmas and he was like, what? Yeah, I mean, you could really, I mean, if you have a guitar and know how to tune it up, you can be playing Boston Nova. And if you get a plane ticket to Rio Desjoneiro, you can be walking on Impanima Beach as you play an authentic. Now, what's the city called? short case. What's the city called again? Rio de Janeiro.

Oh, that's not how you said it the first time.

I was trying to get fancy, but I didn't say it correctly either time. I know. That was so funny, yeah. So go to Open StudioJazz.com and check out the all-access pass for every chorus from all the instruments. And go to kayak.com to book your ticket to Rio de Janeiro. Let's do it, man.

Oh, you'll hear it live in Rio?

Oh, come on now.

From the beach?

Actually, LeBlanc Beach is my favorite there. There's Copacabana. There's Rio de Janeiro. They all kind of connect, but LeBlon is kind of the... Anyway, I digress. Seven favorite beaches for You'll Hear It Live broadcast. We could do it. So what are we talking about?

Do you even target notes, bruh?

Yeah, I thought it was just kind of a funny title.

This is a speak pipe from Lewis.

Hi, guys.

My name's Lewis.

I'm from London, England.

And my question is about goal or target notes

and how you're going to be using them in your solos and how to ensure that you're creating

...